Monday, November 8, 2010
John Lennon quotes
John Winston Ono Lennon, MBE (9 October 1940 – 8 December 1980) was an English singer-songwriter who rose to worldwide fame as one of the founding members of The Beatles, and together with Paul McCartney formed one of the most successful songwriting partnerships of the 20th century.
John Lennon played a number of instruments, including percussion instruments and the flute. His first instrument as a child was the banjo. His mother taught him how to play, then bought him an acoustic guitar. His playing on the mouth organ during a bus journey to visit his cousin in Scotland caught the driver’s ear. Impressed, the driver told Lennon of a harmonica he could have if he came to Edinburgh the following day, where one had been stored in the bus depot since a passenger left it on a bus. The professional instrument quickly replaced Lennon’s toy. He would continue to play harmonica, often using the instrument during the Beatles Hamburg years, and it became a signature sound in the group’s early recordings.
John Lennon quotes are many, both from interviews and in song lyrics, but are a lovely way to remember John Lennon’s birthday on October 9. Lennon, who was killed in 1980, would have been 70 years old.
Here are some other famous John Lennon quotes:
“The more I see the less I know for sure.”
“All we are saying is give peace a chance.”
“Reality leaves a lot to the imagination.”
“Everything is clearer when you’re in love.”
“I’m not going to change the way I look or the way I feel to conform to anything. I’ve always been a freak. So I’ve been a freak all my life and I have to live with that, you know. I’m one of those people.”
“A dream you dream alone is only a dream. A dream you dream together is reality.”
“There’s nothing you can know that isn’t known.”
“As usual, there is a great woman behind every idiot.”
“Time you enjoy wasting, was not wasted.”
“My role in society, or any artist’s or poet’s role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.”
My favorite John Lennon quote is “Life is what happens while you are busy making other plans,” from the song “Beautiful Boy” Source: The Most Popular Person Now.
John Lennon played a number of instruments, including percussion instruments and the flute. His first instrument as a child was the banjo. His mother taught him how to play, then bought him an acoustic guitar. His playing on the mouth organ during a bus journey to visit his cousin in Scotland caught the driver’s ear. Impressed, the driver told Lennon of a harmonica he could have if he came to Edinburgh the following day, where one had been stored in the bus depot since a passenger left it on a bus. The professional instrument quickly replaced Lennon’s toy. He would continue to play harmonica, often using the instrument during the Beatles Hamburg years, and it became a signature sound in the group’s early recordings.
John Lennon quotes are many, both from interviews and in song lyrics, but are a lovely way to remember John Lennon’s birthday on October 9. Lennon, who was killed in 1980, would have been 70 years old.
Here are some other famous John Lennon quotes:
“The more I see the less I know for sure.”
“All we are saying is give peace a chance.”
“Reality leaves a lot to the imagination.”
“Everything is clearer when you’re in love.”
“I’m not going to change the way I look or the way I feel to conform to anything. I’ve always been a freak. So I’ve been a freak all my life and I have to live with that, you know. I’m one of those people.”
“A dream you dream alone is only a dream. A dream you dream together is reality.”
“There’s nothing you can know that isn’t known.”
“As usual, there is a great woman behind every idiot.”
“Time you enjoy wasting, was not wasted.”
“My role in society, or any artist’s or poet’s role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.”
My favorite John Lennon quote is “Life is what happens while you are busy making other plans,” from the song “Beautiful Boy” Source: The Most Popular Person Now.
Going Back is the last Phil Collins album
Genesis singer and drummer Phil Collins says that Going Back, his new album of R&BCollins. "If I do write songs... I don't know about putting them out on an album or anything like that. I don't really have the desire to do that now."
Of his decision to quit covers, will be his last ever. "I'm not anticipating doing anything else," said music, Phil Collins told Billboard.Com, "It bothers me a lot less than people think it probably would. I've pushed my particular envelope wider than a lot of people probably remember. There's always going to be some things you wish you'd done differently, but in general I'm very proud of what I've done and there's not a lot I haven't tried."
Going Back, which recently debuted at at No. 1 on the UK albums chart (it debuted at No. 34 in the US), reflects Collins desire to be as faithful to the songs he loves - they include classics such as Papa Was A Rolling Stone and (Love Is Like A) Heatwave - as possible. To do so, he recorded with the three surviving members of the legendary Funk Brothers, who played on hundreds of R&B hits.
"I didn't want to bring anything new to the table, really," Phil Collins told The Huffington Post. "I don't mean that in a negative way, I just think that I wanted the record to be an operative of the period, so you would kind of have that feeling you had when you heard the song originally.
"That was an interesting project to try. My engineer and I listened constantly to the originals - when we were recording with The Funk Brothers, doing my demos, and mixing. We constantly referred back to see what it was that made those records and those songs sound so special, and sometimes, it was obviously the way they were recorded because the technology at the time was very limited."
Phil Collins next project is a surprising one: he's working on a book about his huge collection of Alamo and Texas Revolution artifacts. "It's a huge collection of memorabilia from the Alamo and before and after it, basically the Texas Revolution in general," said Collins, who was first inspired by Texas history as a child after seeing the Walt Disney film, Davy Crockett. "It's basically the history of all the things I've collected and putting them in the context of the revolution. It's in progress and it's entertaining."
Of his decision to quit covers, will be his last ever. "I'm not anticipating doing anything else," said music, Phil Collins told Billboard.Com, "It bothers me a lot less than people think it probably would. I've pushed my particular envelope wider than a lot of people probably remember. There's always going to be some things you wish you'd done differently, but in general I'm very proud of what I've done and there's not a lot I haven't tried."
Going Back, which recently debuted at at No. 1 on the UK albums chart (it debuted at No. 34 in the US), reflects Collins desire to be as faithful to the songs he loves - they include classics such as Papa Was A Rolling Stone and (Love Is Like A) Heatwave - as possible. To do so, he recorded with the three surviving members of the legendary Funk Brothers, who played on hundreds of R&B hits.
"I didn't want to bring anything new to the table, really," Phil Collins told The Huffington Post. "I don't mean that in a negative way, I just think that I wanted the record to be an operative of the period, so you would kind of have that feeling you had when you heard the song originally.
"That was an interesting project to try. My engineer and I listened constantly to the originals - when we were recording with The Funk Brothers, doing my demos, and mixing. We constantly referred back to see what it was that made those records and those songs sound so special, and sometimes, it was obviously the way they were recorded because the technology at the time was very limited."
Phil Collins next project is a surprising one: he's working on a book about his huge collection of Alamo and Texas Revolution artifacts. "It's a huge collection of memorabilia from the Alamo and before and after it, basically the Texas Revolution in general," said Collins, who was first inspired by Texas history as a child after seeing the Walt Disney film, Davy Crockett. "It's basically the history of all the things I've collected and putting them in the context of the revolution. It's in progress and it's entertaining."
Alexi Laiho Talks About COB New Album
In a recent interview with Revolver magazine, CHILDREN OF BODOM guitarist/vocalist Alexi Laiho said that he was happy with the decision to work with Hyde. "Our management was pushing the idea," Laiho said, "so eventually it was, 'All right, fuck it. Just to shut them up, let's do it.' We liked the way [Hyde] talked about music and the way he was already so fucking committed. He wanted to do the best fucking CHILDREN OF BODOM album ever and was pretty serious and convincing about that. After five minutes of talking to the dude, we knew he was the guy."
Regarding the musical direction of the new CHILDREN OF BODOM material, Laiho told Revolver, "It's maybe a little more melodic than [2008's] 'Blooddrunk' was. It's maybe more guitar riff-oriented, really '80s guitar and stuff like that."
According to Laiho, the recording sessions for the new CHILDREN OF BODOM album produced nine originals and one cover song that he says is "gonna be fucking funny as shit. I don't think it's something anybody would necessarily want to cover — not a metal band, anyway."
Among the new tracks that are set to appear on the next CHILDREN OF BODOM CD are "Pussyfoot Miss Suicide", "Ugly" and "Was It Worth It?", the latter of which the band shot a video for on October 6 somewhere in north Pennsylvania." Directing the clip was Dale "Rage" Resteghini, who has helmed over 550 music videos since 2003, including clips for such metal bands as MUDVAYNE, HATEBREED, ANTHRAX and SHADOWS FALL. Rage has also directed videos for some of the biggest names in the hip hop world, including Lil Wayne, Diddy, Snoop Dog and Ice Cube.
Regarding the subject matter covered in the "Pussyfoot Miss Suicide" lyrics, Alexi Laiho told Revolver, "I've been involved with stupid chicks who were trying to get attention by being, 'Oh, I'm so fucking depressed. I'm gonna slit my wrists with a cheese grater...' And it's so fucking boring, like, 'Just let it go. You're really not gonna do it, anyway.' It's kind of harsh, but it's fuckin' black humor." "Ugly", on the other hand, is "really just venting and screaming stupid stuff. Nobody should expect anything deep and poetic and sensitive and intelligent, y'know?"
Regarding the musical direction of the new CHILDREN OF BODOM material, Laiho told Revolver, "It's maybe a little more melodic than [2008's] 'Blooddrunk' was. It's maybe more guitar riff-oriented, really '80s guitar and stuff like that."
According to Laiho, the recording sessions for the new CHILDREN OF BODOM album produced nine originals and one cover song that he says is "gonna be fucking funny as shit. I don't think it's something anybody would necessarily want to cover — not a metal band, anyway."
Among the new tracks that are set to appear on the next CHILDREN OF BODOM CD are "Pussyfoot Miss Suicide", "Ugly" and "Was It Worth It?", the latter of which the band shot a video for on October 6 somewhere in north Pennsylvania." Directing the clip was Dale "Rage" Resteghini, who has helmed over 550 music videos since 2003, including clips for such metal bands as MUDVAYNE, HATEBREED, ANTHRAX and SHADOWS FALL. Rage has also directed videos for some of the biggest names in the hip hop world, including Lil Wayne, Diddy, Snoop Dog and Ice Cube.
Regarding the subject matter covered in the "Pussyfoot Miss Suicide" lyrics, Alexi Laiho told Revolver, "I've been involved with stupid chicks who were trying to get attention by being, 'Oh, I'm so fucking depressed. I'm gonna slit my wrists with a cheese grater...' And it's so fucking boring, like, 'Just let it go. You're really not gonna do it, anyway.' It's kind of harsh, but it's fuckin' black humor." "Ugly", on the other hand, is "really just venting and screaming stupid stuff. Nobody should expect anything deep and poetic and sensitive and intelligent, y'know?"
Kings of Leon Took More Than Musical Cues
The Kings of Leon took more than musical cues when they opened a concert tour for U2 a few years back. They learned that ambition isn't a dirty word. That lesson is clearly evident on "Come Around Sundown," the rock band's first collection of music since the hits "Sex on Fire" and "Use Somebody" made them Grammy-winning stars. The album cover's palm trees recall the Eagles' "Hotel California" (16 million sold) and the music inside is epic and inviting."If the world is looking for a big band from our generation, we at least want to give it a shot," said 28-year-old singer Caleb Followill, one of three brothers and a cousin in the group named for his grandfather. "We'll put ourselves up there against anyone because we're very competitive and we're family. Yeah, we'll give it a shot. I'm not afraid to at least try."
The admission cuts against the grain of an ambivalence toward success that has run strong in the rock 'n' roll world — coinciding with its diminished influence as a force in popular culture — and the Kings' own wrestling with good fortune.
The Beatles and Elvis Presley never thought twice about wanting to be big stars. The attitude is different today, perhaps dating to Bruce Springsteen's pulling back from his "Born in the USA" stardom and, especially, the suspicion that Pearl Jam and Nirvana felt about popularity. An underground ethos took hold. Most rock artists prefer being part of a subculture and don't make the effort to break through to a wider audience, said Brian Hiatt, senior writer at Rolling Stone magazine.
"It has kind of messed with fans' heads and confused rock music fans about what is acceptable and what is not," he said. The quality of work almost doesn't matter; many fans will simply dump a band when they become popular, he said.
For four albums, the Kings of Leon were underground darlings in the United States, with more mainstream appeal overseas. Things changed with the "Only by the Night" disc in 2008. Buoyed by the hit songs, it sold north of 6 million copies.
That messed with the Nashville, Tenn.-based band's heads. Followill told Spin magazine that they got bigger than they wanted to be. "You feel like you've done something wrong," he told the magazine in December of last year, in a quote he'd live to regret. "That woman in mom jeans who never let me date her daughter? She likes my music. ... Not cool."
Kings of Leon were approached to have their music covered on the Fox television musical series "Glee" and turned down the opportunity. "If you want to be a rock star, you have to keep your credibility," he said. "You need to be offending someone."
Followill acknowledged this week that the popularity initially scared him, making him wonder if he had lost his edge. That's when he thought back to his time spent with U2 — one of the few remaining rock bands that can fill a stadium yet remain a creative force. It's not a bad life, traveling to gigs in plush jets instead of drafty vans.
"You have to step up to the plate and say, `All right, do I have it in me to be one of the biggest bands?'" he said. "Even though that's a lofty goal, you have to come to terms and say, `Can I take the pressure?' We all agreed that we could. There are definitely times where we are second-guessing and wondering why we thought that because there is so much negative that comes along with the positive. People are going to hate you and people are going to want to see you fail because you reach a certain level."
Any remaining self-doubt wasn't evident in the music. Kings of Leon don't fall prey to an indie rock small sound, esoteric for the sake of being so. Guitars soar — U2 is a handy reference point here, too — but Followill's distinctive rough croon prevents edges from being smoothed away.
Yes, there are naysayers. The website The Zeitgeisty Report seemed visibly angry at the size of the bandwagon: "They've become the band that vacuous idiots and bimbos think is `edgy' only they're anything but now."
"They've made an album with an old-fashioned commitment to greatness, a determination to fashion something bold and original," wrote Neil McCormick in the Telegraph newspaper in Britain, where the Kings are seeking their third No. 1 disc.
Reaching the same spot here is a goal they may reach next week. It's no coincidence the Kings released "Come Around Sundown" a week before Taylor Swift dropped her new disc.
The Followill brothers Caleb, 31-year-old Nathan and 24-year-old Jared grew up as the sons of a fundamentalist Christian minister who traveled around the South. They sought big-city energy in recording the new disc in New York. The band, which also includes cousin Matthew Followill, 26, tends to kick around musical ideas in sound checks or in the studio, with Caleb retreating to write lyrics when they settle on a tune they like.
Caleb's particularly proud of the song "Back Down South," where the band invited friends to sing and add a fiddle. It illustrated the strengths of using the studio as an instrument of experimentation, an approach he'd like to expand upon in future recordings. Their father resisted rock 'n' roll when his sons were growing up, Followill said, and now he's one of their biggest fans. Caleb is also pleased to be making something of the family name to Kings of Leon. Before, Followills mostly were known for painting houses. "We've still got a lot of family painting homes," he said. "But they're wearing Kings of Leon T-shirts while they're doing it." Source:
Blink-182 Mark Hoppus Posts Video Update
Blink-182 bassist Mark Hoppus has posted a video update from the studio as the band continue to record a long-awaited new album, their first new music since the self-titled effort of 2003. The clip is, conveniently, right below.
"I think we're going to try and come back [to the UK] in Summer next year," Mark Hoppus"It all depends on how fast we write the next record but we're already making plans to come back as soon as possible."
told at Reading Festival. Mark Hoppus, the video was great but get on with it, finish the record and come tour already! The clip is, conveniently, right below.
"I think we're going to try and come back [to the UK] in Summer next year," Mark Hoppus"It all depends on how fast we write the next record but we're already making plans to come back as soon as possible."
told at Reading Festival. Mark Hoppus, the video was great but get on with it, finish the record and come tour already! The clip is, conveniently, right below.
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